"Your father—poor imbecile!—believes we ran away together. I love you calling me Gérard and idiot, and I love you when you threaten me with every weapon under the sun, and—’ ‘Pah!’ interrupted Melusine, scorn in her voice. She heard her husband’s heavy tread descending the stairs, and the wheels of his carriage as he drove off. The London backgrounds, in Bloomsbury and Marylebone, against which these people went to and fro, took on, by reason of their gray facades, their implacably respectable windows and window-blinds, their reiterated unmeaning iron railings, a stronger and stronger suggestion of the flavor of her father at his most obdurate phase, and of all that she felt herself fighting against. .
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